So I took part in #MarchMeetTheMaker on Instagram again this year and I thought I’d share a selection here . . .
Can’t live without . . .
My riveting tool.
Apart from my family, my fella, the support of customers and admirers, my hands, my daydreaming , etc etc! Thought I’d keep this one basic! I do love that tool and have been using it for 20 years now!
I discovered recently I have an ancestor, in one census he was a riveters helper, in the next a riveter, yes!
Me. . .
… this is me! At my bench. A place I love to be.
Favourite to make . . .
New things! Shouldn’t be showing this really as I haven’t got far with it at all. Currently playing with stone setting, which has been on my list for years, some of these stones I’ve had since I was studying! My vision is greater than the results so far, so much more to do. Eek!!
Workspace . . .
We have pretty small workspaces at the craft centre to give room for shop area, so it has to be well organised to make the most of it and i have to say it does work perfectly, it’s my favourite studio of all the studios I’ve had.
Organised . . .
A bit of the organisation I mentioned above. I (conveniently!) love drawers, boxes, tins!
Inspiration . . .
History / People / Stories
Old buildings & Details
Paper Books & Documents
Non precious becoming precious
Sketchbook . . .
I don’t get much time to work in a sketchbook these days but since I graduated I’ve maintained a collection of soft back a4 with cartridge paper (same paper as I roll print with). They’re a mix of workings out, off cuts, repeated drawn shapes, scribbles and lots of designs I’ve scribbled onto the nearest bit of file paper then masking taped into the book!
Work clothes . . .
I can wear whatever I want for work. It’s often grey with stripes or holes, as long as it’s warm, I’ve had lots of studios over time and they have all been cold, some really cold!
Brand image. . .
My logo which is simply my name handwritten and a rather large pile of postcards with their lovely layered old edges, which isn’t technically my branding, but it is very relevant!
Where . . .
For the last year and a half I have been making and selling from my lovely studio / shop upstairs at Manchester Craft & Design Centre, and it is perfect, I really feel my years of being a jeweller makes sense working in this way.
How it’s made . . .
I do plenty roll printing, everything gets roll printed with cartridge paper to give a warm texture referring to the postcards and the paper with these unique prints are then used in my collages.
Feedback . . .
I spent many years in a studio making and sending my work out with no feedback and it took me a while to pick up courage to take my work to fairs, I was not confident in my work for years. Now I find myself in a studio that’s also a shop. We all get to hear, quite a lot! I am developing a thick skin! Some don’t say anything, that’s fine. Some make comments that are really useful or interesting, and some are . . . ! I also get such treats like people coming with a box of perfect ephemera they want to give me, amazing! And some are gorgeous people like the couple who recently bought a necklace and then came back the next day and left with a collage, (My favourite too!) and I’m so chuffed it now lives with them in their lovely home in Germany. They even took the time to send me this photo of it amongst some lovely intriguing other works. Thank you! This kindness keeps me (us?) going. Our work doesn’t end when you wrap it up for someone, it starts its journey.